We’re having dinner at the Molong pub on our way to Canberra, and then to the Snowy Mountains for a month.
We’ve been driving for nine hours on the back roads, avoiding motorways and highways and listening to Bob Dylan because today he won the Nobel Prize for Literature and we’re stoked, and we need to revisit everything he’s ever sung, which you can’t actually do in nine hours but we’ve given it our best shot.
There’s an entertainer at the pub, he’s a little stout and red-faced with silver chains round his neck and he’s singing stuff like The Proclaimers I’m on My Way, and Elvis’s Suspicious Minds, and Joan Jett’s I love Rock n’ Roll, and there’s a woman wrapped around the verandah post, leaning over the singer and going “uh huh” every now and then in relation to pretty much nothing. She’s a little pissed and pretty happy and the singer’s trying to pretend she isn’t there. The sun’s gone down, it’s getting chilly in the beer garden and I wrap myself in a woollen shawl, drink another glass of wine, and consider asking the act if he’ll sing some Dylan.
As stoked as I am by Bob’s win, I’m also sad because if there’s one thing my beloved husband would have wanted to live long enough to hear, it’s that Dylan won the Nobel prize. Babe, if you can hear me, you were right.
Dylan was part of the soundtrack of our decades-long love affair, and Arnie’s knowledge of the man was encyclopaedic. He did a radio show on Sunday afternoons on 2SER just about Dylan. We went to every concert we could, and we only ever walked out of one, at the State Theatre in Sydney when Bob’s performance was so excruciatingly late and then so excruciatingly bad, even we couldn’t hack it. Something to do with drugs in the dunny, I don’t know.
I don’t ask the performer at the Molong pub to sing some Dylan, instead we walk back to our motel and eat chocolate and drink green tea in bed. I’m trying to think of which song was ours, Arnie’s and mine, but that’s the thing about Dylan: there was a song for every shifting phase, even the dark ones, maybe especially the dark ones.
Arnie always came back to You’re going to make me lonesome when you go as his song to me. Which is ironic, because in the end he went and I’m still here and still singing:
I’ll look for you in old Honolul-a
San Francisco, Ashtabula
You’re gonna have to leave me now, I know
But I’ll see you in the sky above
In the tall grass, in the ones I love
You’re gonna make me lonesome when you go
I know there’s all kinds of arguments against the Nobel prize for Bob Dylan. Some of them I probably even agree with. But I don’t care. What he wrote decades ago, personal and political, is as applicable today as it was then, his body of work is vast and varied, and I’ve never anywhere come across images of the kind Dylan comes up with.
As Mick Jagger said, Thank you Bob.
No Place For Sheep 
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