For reasons I won’t bore you with, I’ve spent some time lately holed up binge-watching television series, the latest being a revisiting of the 2012-2014 HBO production, The Newsroom.
Written by Aaron Sorkin, it has many of the characteristics of The West Wing: engagement with complex issues in an at times tortuous, but honourable manner, and ongoing examination of the difficulties and costs involved in taking a particular moral perspective within the context of savage politics, and savage media, both of whose end game is to grab and hold onto power.
Both series can be irritatingly self-righteous and way too heart-warming but hey, Sorkin has a dream.
In his many monologic tirades against the dumbing down of news, and in particular the feeding of baser human instincts through the elevation of celebrity gossip to the status of journalism, anchor Will McAvoy (played by Jeff Daniels) grieves the loss of intellectual and moral engagement between media and consumers that the culture of celebrity has inevitably ousted, to everyone’s detriment.
As an extreme example, McAvoy is obliged by his employers to replace a segment of information of national economic significance with the story of former congressman Anthony Weiner sexting various women images of his penis, as told on camera by one of the recipients of his favours.
And this brings me to the point of this post: ABC TV’s Kitchen Cabinet, hosted by political journalist Annabel Crabb.
Crabb has copped sustained criticism lately for her pleasant little program in which she dines with various politicians. Much of that criticism and an analysis of Crabb’s response can be read here, at the Politcally Homeless blog.
Basically, the show is perceived by some critics as a dumbed-down, albeit classily-styled interaction with politicians, and as offering nothing of significance (contrary to Crabb’s claims) other than providing “humanising” propaganda for individuals on the public broadcaster.
Which, if you think about it, makes it a show of great political significance in the most negative and undesirable way.
Crabb’s justifications for her program are interesting, and for mine, disingenuous, or perhaps I can be more generous and describe them as naive, though naivety doesn’t strike me as a Crabb characteristic. For example, she claims that:
I don’t think you can possibly separate what people are like from what they do… Observing someone in their own environment offers – in my view – some useful information about how they might behave outside it.
Well. For a start, the dinner times with politicians are absolutely contrived, and definitely not an example of how they behave in their own environment. In much the same way as we can argue that there is no such thing as reality tv because the presence of a camera crew immediately imposes a context that, unless you are completely narcissistic, creates a reality that bears no resemblance to the reality in which one actually lives, we can also argue that Crabb’s interviewees are in as much of their own environment as are monkeys in a zoo.
The participants are under surveillance and like most human beings, pitch their behaviours and their projection of what they are like to their expectations of the outcome of that surveillance. Like most human beings and unlike monkeys, what they’ll reveal of themselves under scrutiny is what they perceive as their best. This is only one aspect of what they are like, and it is a highly sanitised aspect.
Ms Crabb has long experience in media, and must be more aware than most of how people adapt to the presence of cameras. So for her to make the claim that Kitchen Cabinet is politically necessary because it shows us what politicians are like and thus helps us better understand their policies, is, quite frankly, a steaming pile of monkey poo, and insulting to our intelligence.
As for what they are like…I think I could binge-watch Kitchen Cabinet for a decade, and still be no wiser about what any of its subjects are like. Indeed, I learn far more about what they are like from the policies they espouse, than I could ever learn from the personas they present at dinner with Annabel.
To be honest, I have zero interest in what they are like. I’m far more interested in what they do and if I don’t like what they do I’ll vote against them, no matter what they might be like.
I don’t want to be entirely negative so let me say here that I love the frocks. I’m immensely fond of frocks and Annabel’s are divine. In fact, it’s been a struggle for me, deciding to turn off the show, because I really wanted to look at those frocks.
But for mine, Kitchen Cabinet is an excellent example of what Aaron Sorkin has his characters rail against in The Newsroom. It is presented to its audience as having educative political significance, when in fact it has none. It will, its presenter assures us, inform us as to the characters and motives of our politicians, thus adding to our understanding of the decisions they make. No it won’t. With very few exceptions we already know what they’re likely to decide: it’s on that basis that we do or do not vote for them.
This is dumbed-down politics, masquerading as important and relevant because it’s on the ABC and presented by one of that organisation’s senior political journalists. Which is, actually, shameful, it really is.
Kitchen Cabinet is as dumbed down in its way as the Daily Telegraph. It’s celebrity journalism, though Sorkin won’t have that called journalism at all. It does not enlighten, it obfuscates. It distracts us from the harm many of these men and women have inflicted upon us, our country and others. It dulls us in ways we ought not to accept being dulled.
The show could have worked as entertainment, if it hadn’t been found necessary to infuse it with faux usefulness and faux meaning. It might have also worked better if Crabb wasn’t seen snuggling up to politicians, and letting them get away with not answering important questions.
Maybe not a journalist at all. Maybe a chef. That guy who says SBS won’t have him because he’s too white. He’d be good.
We’re funding our own demise as an engaged and critical polity. Kitchen Cabinet is bread and circuses. Do yourself a favour. Revisit The Newsroom, re-imagine the ideals and potential of journalism, then tell me I’m wrong.
No Place For Sheep 
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